Troublesome and Torturous
I have used both these words this morning to describe my drawing.
I’ve moved the drawing from the single sheets of thick-textured cartridge or watercolour paper to a roll of cheap stuff. The cheap stuff does not take watercolour paint well. I am wrestling with it.
But the wrestling is very informative in terms of my ability to control and manipulate my materials and learn what is (im)possible. It doesn’t take kindly to a 6H pencil either. It has puncture wounds.
What I find though is that I am forgiving of it. First of all, unrolling a large piece of paper allows the drawing to be rather more narrative, things relate and influence and have an effect. These are not individual events or individual people, these are sociable, messed up crowds of people… some of whom really don’t get on. The analogy of drawing to life is abundant here. So I AM forgiving the rubbish nature of these materials, because at the moment, rubbish materials that don’t work properly and throw up the unexpected are perfectly analogous to my life.
I am also forgiving myself. I have the tendency to want to produce the perfect, regardless of the context. I want to do a perfect drawing or stitch a perfect line, on good materials, to create something impressive. Sometimes this can be at the cost of the concept and the context. So this is good for me. Life is not perfect. Do I want my drawing to LOOK torturous or do I want it to BE torturous?
I am treating this nasty cheap roll of paper with care and forgiveness. It suffers.
Analogy ahoy… I’ve just been told that my troublesome and torturous knee will undoubtedly need a third lot of surgery, and if I’m lucky I will get injections while I wait. It is troublesome. I never know from one day to the next or even sometimes one hour to the next, if it will work without causing excruciating pain. I plan life accordingly. I park outside the door, even if I feel ok, because later on, when I come to exit, a 500 yard walk back to the car might prove impossible. I am EXTREMELY GRUMPY about the whole thing. I wanted the doctor to give me a golden pill to take, that would make it all instantly better. Not unreasonable huh?
So then… these drawings are just the thing. This troublesome and torturous blob of blue is turning into a nightmare. But I’ve blobbed a bit more Prussian blue (the colour of sleep?) over it and left it to wrinkle up under the weight of the water and dry out in time, not with a hairdryer… I’ve let it rest. I won’t rip it out as I first thought, no, I will allow it to calm itself before I take pencil to it again on Thursday.
On the way home from the studio we called in at Sainsbury’s. In the car park we were cut up by a sour-face looking woman in a tatty old Ford Fiesta. Yellow (the colour of pain?).
“She looks happy!” Sarked my husband.
“I expect she’s got a bad knee” said I, with unaccustomed good grace and forgiveness.