Correspondence Residency (1)

Hosted by Stuart Mayes and Glitterball Showroom.

This residency took place at Ateljeföreningen Hospitalet, Uppsala, Sweden from 12th to 16th June 2024

I took with me a bundle of the wrapped twigs from Five, Six, Pick up Sticks, and a bag of materials to give to Stuart: some ties, some detached shirt pockets and some old crisp white starched collars from formal dress shirts.

Stuart supplied all sorts of materials and a selection of fixings from his studio.

The initial plan was to keep in mind the word and concept of Correspondence… because that is what we have been doing since 2011. We have commented on each other’s blogs, emailed and sent images, we’ve critically discussed each other’s work, commented and supported over the last 13 years or so with increasing frequency.

Stuart and I met in Stockholm just once before, in 2016. The conversation has continued and we now often have Skype studio visits and work in parallel while we talk. After a few of these, we decided it would be great to meet again, and maybe do some work together.

So here I am, Corresponding!

We worked together, sometimes in companionable silence, sometimes in raucous laughter: “It’s NOT a Dick-Hat, it’s a Reading Bonnet!

Day 1 (Thursday) felt a bit like a getting-to-know-you dance: we took it in turns to place items and manipulate the space, asking, seeking agreement, “Do you think it would be good if…” “Do you mind if I try this?” We established our language and our modus operandi. We assessed the potential for correspondence. We left the space at the end of the day happy and thoughtful. That evening over dinner we discussed what had happened, what had been successful, what hadn’t, and ideas we had for tomorrow.

Day 2 (Friday) was interesting in that we slowly dismantled and replaced what we had done the day before. Even those things that had seemed precious in the moment. We stripped away all the colour, to concentrate on form. We folded the tables we had worked on, to give us back the space in the room. If day one had been about surfaces, lines, and negotiation, day two was about space and form and spontaneity. On day two, it was harder to tell who had contributed what. I think we talked less, and possibly laughed more.

Stuart has a grand collection of fabric and household textiles. These loves we have in common, and he has very generously given me some to bring home.

We lifted sheets into the air, hanging them from the ceiling to divide up the space, to conceal and reveal as we walked around the space. We let them bathe in natural light, from sunshine in a bright blue sky. We tried artificial light, we closed the blackout blinds and added spotlights. All these differences were noted and documented. But we felt the liberation of not having to make decisions, just experiencing the different opportunities offered.

We collected new, naked twigs as we strolled around the Hospitalet grounds (the old psychiatric hospital is surrounded with huge and ancient trees, appreciated and planted for their healing nature) and then we stuffed them into pillowcases, carried them around, piled them up, placed them and balanced them carefully. These materials provided from both our studios started to correspond sensitively to each other, making friends, as we did too.

As we reached the end of the afternoon, it was good to welcome Stuart’s friend Mareia into the space too, good to see her move quietly among our makings, appreciating the qualities of light and form, and of course the materials that had brought us together.

As we disassembled the installation, we took last chances to rearrange, and took things away slowly, enabling us to reassess, and take even more photos.

We put the room back together for the next users, stacked tables and chairs, and swept up the debris of threads and twigs, leaving no evidence of the activity, creativity, and the products of those things.

I expect both of us will study the photos over the next weeks, extracting meaning, and inspiration, and we will no doubt post again with those findings. But for now I just wanted to describe what happened, what we experienced, and how we worked around and with each other. It felt rare and special, and effective. We will undoubtedly be following on from this.

On our last evening together as we ate leftovers and shared the last cinnamon bun, we talked about how risky this might have been, or might seem from the outside. We’ve only really met once before, and despite all the Skyping, it might seem foolhardy for a 63 year old, not very mobile woman to fly to meet someone she doesn’t know very well, to live in his home for five days. And risky for Stuart to let this woman into his house, without even asking if she had a criminal record! (I haven’t).

The correspondence that led up to this however, brought us to the point where it didn’t seem at all risky to us, just a natural progression for our professional relationship to explore the collaborative possibilities. And of course to cement our friendship. Stuart will I’m sure appreciate the peace and quiet this evening, as we have only stopped talking to sleep since he met me at the station! 

A friend who can make you well up, and then laugh with you till your ribs hurt, is a good friend.

So now it’s gone a bit quiet, I think I should don my Reading Bonnet, and perhaps my new green Ladies’ Slack.

(Is that a slack for green ladies?)

Thank you Stuart. x

2 thoughts on “Correspondence Residency (1)

  1. Moira McNulty says:

    You seem to have had a few interesting, very productive few days. How wonderful to get on so well with a fellow artist.

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